Without much of a pitch on the east and west porches and the front south porch,we decided to go with copper.Pictured above he is soldering the pieces of copper together on the east porch. We also decided to do copper on the cupola as an accent. The rest of the roof is red cedar.
Cooper roofing is an increasingly popular metal roofing option. The high sheen of brand new copper settles into a blue-green patina over time. Both hues can complement your home and give it a classic, unique flavor. There’s no doubt that copper roofing is beautiful, but its appeal doesn’t stop there. These are some of it’s attributes:
Durability – Copper roofs are strong, lasting up to 50 years or even more with regular repairs and maintenance. The metal is highly resistant to fire, hail, and mildew.
Weight – Copper is a lightweight material, which is a clear benefit when installed as your main roofing structure. Lightweight roofs do not put as much stress on your home’s internal structures as heavier materials such as steel, clay tiles, or wood shakes. This is especially important during heavy snowfalls.
Efficiency – Most metal roofs are energy efficient, as they reflect light instead of allowing heat into the home. Copper is no exception. Installing a copper roof can help you control heating and cooling costs.
The drawbacks of copper roofing are few, but are worth noting. The noise factor can be a negative. A rainstorm sounds loud under a copper roof, no matter where you are in the home. The metal does not buffer noise as well as softer materials, like asphalt or wood.
In 1991, after almost a decade of planning, construction began on the Central Artery/Tunnel Project, more widely known as the “Big Dig”. The project, recognized as one of the largest, most complex, and technologically challenging in the history of the United States, would remove the elevated highway and create a tunnel system below the city.
With the elevated highway to be relocated underground, community and political leaders seized the opportunity to enhance the city by creating the Greenway, a linear series of parks and gardens that would re-connect some of Boston’s oldest, most diverse, and vibrant neighborhoods. The creation of the Greenway was a joint effort of the Massachusetts Turnpike Authority (MTA), the Commonwealth of Massachusetts, the City of Boston, and various civic groups.
The Greenway Carousel officially opened to the public on August 31, 2013 .The Carousel features 14 different characters native to the land, sea and sky of Massachusetts including a sea turtle, a cod, a peregrine falcon, a grasshopper, a harbor seal, a fox, a skunk, a whale, three types of butterflies, a barn owl, and a sea serpent. The characters were inspired by the drawings of Boston school children and fabricated by Newburyport, Massachusetts artist Jeff Briggs.
There is also a set of lights in the section called “the Wharf District Parks” that can change color according to who just won games-Red for the Sox,blue for the Patriots etc. In addition Winter Lights on the Greenway is a series of lighting displays intended to bring warmth and cheer to the Greenway during the darkest part of the year.
Right now and until October there is an incredible sculpture, As If It Were Already Here,from internationally renowned local artist, Janet Echelman. Knitting together the urban fabric, it soars 600 feet through the air above street traffic and pedestrian park.
The form of “As If It Were Already Here” echoes the history of its location. The three voids recall the “Tri-Mountain” which was razed in the 18th-century to create land from the harbor. The colored banding is a nod to the six traffic lanes that once overwhelmed the neighborhood, before the Big Dig buried them and enabled the space to be reclaimed for urban pedestrian life.
The sculpture is made by hand-splicing rope and knotting twine into an interconnected mesh of more than a half-million nodes. When any one of its elements moves, every other element is affected. Monumental in scale and strength yet delicate as lace, it fluidly responds to ever-changing wind and weather. Its fibers are 15 times stronger than steel yet incredibly lightweight, making the sculpture able to lace directly into three skyscrapers as a soft counterpoint to hard-edged architecture.
Mostly it was nice to see people out enjoying the beautiful day and hanging out-walking,strolling,chatting in this new, beautiful 1 1/2 mile Greenway.
This style of house is certainly very popular-I thought the perception of why this seems to be true is interesting.
NEW YORK — Francis Fleetwood, who drew on the work of Stanford White to transform the architectural aesthetic of the Hamptons on Long Island from the relatively modest, minimalist beach houses that reflected postwar modernism to the shingled Victorian behemoths that evoke the Gilded Age, died May 8 at his home in Wellington, Fla. He was 68.
The cause was a blood clot, his brother, Blake, said.
After opening his own firm, Fleetwood & McMullan, in 1980, Mr. Fleetwood designed more than 200 homes in the Hamptons, many of them encompassing tens of thousands of square feet, costing tens of millions of dollars and commissioned by clients who did not blink at the price.
Among them were celebrities like Alec Baldwin, Lauren Bacall, Calvin Klein, and Paul McCartney, as well as private-equity investors and commodities traders who would let Architectural Digest photograph their trophy habitats on the condition that the magazine not reveal their names.
Architects of the angular, flat-roofed houses that proliferated on the East End of Long Island in the 1950s and beyond also catered to the wealthy. But those buildings — made of wood, stone, poured concrete and glass — were unassuming by comparison. Mr. Fleetwood’s shingled, sprawling creations, produced for a more extravagant moneyed class, suggest a kind of homey grandeur.
“The shingle style is the only truly indigenous architecture of the United States,” Mr. Fleetwood told The New York Times in 1991. “Every other style, including modern architecture, had its roots elsewhere.”
“People are looking for roots,” he said in another interview. “They’d all love to be born into a grand old house that had been handed down through the generations. So would I.”
Francis Freile Fleetwood was born in Santiago, Chile. His father, Harvey, was a banker. His mother, the former Maria Freile, is a psychoanalyst.
Besides his brother and mother, he leaves his wife, Stephanie; a daughter, Catherine Newsome; a stepson, Michael Orhan; three grandchildren; and two sisters, Carmen Paul and Charlotte Fleetwood.
After moving to New York with his mother and older brother before turning 2, he attended the Dalton, Fessenden, and Riverdale Schools, graduated from Bard College and earned a master’s degree in architecture from the Massachusetts Institute of Technology in 1973.
At Bard, before deciding to pursue a career as an architect, Fleetwood had different designs on the kind of capitalists who would become his clients.
“I was a Marxist back then,” he told the college’s alumni bulletin, “and we would hold secret meetings every week, planning the overthrow of the school, the government, the world.”
Before establishing his own firm, in East Hampton, he worked for an architect in Aspen, Colo., and for Philip Johnson in New York on the AT&T and Neiman Marcus buildings and other projects.
In 2001, Forbes magazine put Mr. Fleetwood on its list of leading architects, calling him “the architect for the A-list in the Hamptons.”
His asymmetrical style featured gables, turrets and expansive porches that connected the interior of his houses to their typically spacious grounds and vistas. Another hallmark was a low, sweeping roofline with an Oriental curvature and red-brick chimneys that rose well above it.
I thought this was really funny and so true! It was in the Boston Globe today-
“Dear United States Olympic Committee:
You may think Bostonians don’t want to host the Olympics, but then you don’t know Boston.
We love to hate.
We love to complain.
We love to hate that we complain.
We are difficult people. Just ask the British.
Out where you are in Colorado, everyone is so damn happy. You and your 300 days of sunshine. And now all that legalized marijuana makes everything oh so groovy.
Rocky Mountain High we are not. We get a kick out of knocking people down, putting everyone in their place when they get too big, too successful, too soon. If the Games were ever held here, revenge would be an Olympic sport.
At this point, you’re probably saying to yourselves: What on God’s green earth is this place they call Boston? It looks like something out of a gladiator movie. How fast can we move our five-ring circus to LA?
Seriously, your first instincts were right — an old city reborn, the world capital of life sciences, a walkable and affordable Games.
But before that, we will throw tantrums like 2-year-olds. Maybe it looks like a freak show to you. To us, it’s all normal.
Don’t be scared. We just need this moment. This is how we operate around here. When we calm down, we get down to business, but always on our terms, never yours.
If we act up again — oh, and we will — remember what sets Boston apart. Ultimately, we are a city of champions. The 21st century has only just begun, but Boston teams have already brought home four Super Bowls, three World Series, an NBA banner, and a Stanley Cup.
En garde, Paris.
It takes time for Bostonians to come around on anything. The Big Dig spanned four decades from proposal to completion. Rebuilding the Boston Garden took nearly three decades. All the while we moaned and groaned.
Today we can’t imagine our city without a depressed Central Artery that gave way to the Rose Fitzgerald Kennedy Greenway, the Zakim bridge, and the bustling Seaport District. The Garden put us in the big leagues to host all-star games, NCAA tournaments, mega concert acts like the Rolling Stones, and the Democratic National Convention.
Our Olympic naysaying can be heard ’round the world, but it can only make the Boston bid better. We like to put people and their ideas through the wringer. And we save the sharpest knives for outsiders swooping in and trying to tell us what to do with our city.
Welcome to Boston.
Our poll numbers on hosting the Olympics are frighteningly low — they dropped to 36 per cent in March. Blame it on PTSD after suffering through more than 100 inches of snow this winter. We couldn’t even get ourselves to work, let alone think about hosting the world. Of course, it was really wonderful. It gave us a whole new vein of complaints.
Now much of the squawking about the Summer Games comes from the lack of a solid plan from Boston 2024, the privately held group organizing the region’s bid. Stingy Bostonians also worry that taxpayers will be on the hook if costs go over budget.
The newly installed chairman of Boston 2024, Bain Capital executive and Celtics co-owner Steve Pagliuca, wants to get it right this go-around. He promises to deliver by the end of June a plan that is fiscally responsible and leaves long-term benefits for the city.
Stick with us, USOC. I know we’re trying your patience. But it’ll all come together. It always does.
A great thing to do if in Pittsburgh. Operational after the Duck Boat Tours in Boston were so popular,Pittsburgh has had much success with this tour as well.
On the tour, they first talk about the skyline of Pittsburgh. It is the second-largest city in Pennsylvania, and is home to 135 completed high rises, 29 of which stand at least 300 feet tall. The tallest building in Pittsburgh is the 64 story US Steel Building, which rises 841 feet and was completed in 1970. The second-tallest skyscraper in the city is BNY Mellon Center.
One of the things they also talk about is about the flood of March 17 and 18, 1936. The city witnessed the worst flood in its history when flood levels peaked at 46 feet. This flood became known as the Great St.Patricks Day Flood.
Pittsburgh is also a city of many different styles of architecture. There are many beautiful old churches and office buildings and then many new “shiny” buildings. The cluster known as PPG Place is a complex consisting of six buildings(and are the shiniest!) within three city blocks and five and a half acres. Named for its anchor tenant, PPG Industries, who initiated the project for its headquarters, the buildings are all of matching glass design consisting of 19,750 pieces of glass. The complex centers on One PPG Place, a 40-story office building. Groundbreaking ceremonies occurred on January 28, 1981. The complex buildings opened between 1983 and 1984. Total cost of construction was $200 million ($488.8 million today). The buildings were sold by The Hillman Company to Highwoods Properties in 2011.
Once you have driven through the city quaking all the way, you dip into the Monongahela River for a tour from the water. You first see the second of two “inclines”.The Monongahela Incline, built by John Endres in 1870, is located near the Smithfield Street Bridge. It is the oldest continuously operating funicular in the US. It is also one of two surviving inclines from the original 17 passenger-carrying inclines built in Pittsburgh starting in the late 19th century.
Pittsburgh’s expanding industrial base in 1860 created a huge demand for labor, attracting mainly German immigrants to the region. This created a serious housing shortage as industry occupied most of the flat lands adjacent to the river, leaving only the steep, surrounding hillsides of Mt. Washington or “Coal Hill” for housing. However, travel between the “hill” and other areas was hindered by a lack of good roads or public transport.The predominantly German immigrants who settled on Mt. Washington, remembering the cable cars of their former country, proposed the construction of inclines along the face of Coal Hill. The result was the Monongahela Incline, which opened May 28, 1870.Earlier inclines were used to transport coal in the Pittsburgh area.
You next paddle by the home of the Pittsburgh Steelers and the University of Pittsburgh Panthers which is called Heinz Field ,and then by the beautiful Point State Park which was filled with strolling couples with small children.
There are also many other ways to see Pittsburgh. Another popular one is to take an evening dinner cruise on the Gateway River Fleet.
Near the end of the tour the guides play a little game with you. They ask “how many bridges are there in Pitttsburgh?” Of course the answer is one that no one could even imagine….without bridges, the Pittsburgh region would be a series of fragmented valleys, hillsides, river plains, and isolated communities. A 2006 study determined that Pittsburgh has 446 bridges, and with its proximity to three major rivers and countless hills and ravines, Pittsburgh is known as “The City of Bridges”.
I love how words come and go. A few years back I said the word “fink” and my kids just stared at me. “What is that?” they said. I was shocked-that was such a big word in my youth-“rat fink” or just being a plain “fink”. Another phrase they laugh at me about is “hunka munka”-I mean, didn’t everyone use that phrase for a good looking guy???
Now all of a sudden we are “ubering” and “googling”-these names have become verbs in our everyday language. I got a new iPhone this week and all of a sudden I have the ability to use emojis. I was excited but my kids were not as I sent many the first two days! I was very curious where the word “emoji” came from and no one seemed to actually know so I googled it and this is what I found:
Emoji (絵文字えもじ? are the ideograms or smileys used in Japanese electronic messages and Web pages, the use of which is spreading outside Japan. Originally meaning pictograph, the word emoji literally means “picture” (e) + “character” (moji). The characters are used much like ASCII emoticons or kaomoji, but a wider range is provided, and the icons are standardized and built into the handsets. Some emoji are very specific to Japanese culture, such as a bowing businessman, a face wearing a face mask, a white flower used to denote “brilliant homework,” or a group of emoji representing popular foods: ramen noodles, dingo, onigiri, Japanesecurry, and sushi. The three main Japanese mobile operators,NTT DoCoMo,au and Soft Bank Mobile have each defined their own variants of emoji.
Although originally only available in Japan, some emoji character sets have been incorporated into Unicode, allowing them to be used elsewhere as well. As a result, emoji have become increasingly popular after their international inclusion in Apple’s iOS in 2011 as the Apple Color Emoji typeface, which was followed by similar adoption by Android and other mobile operating systems.Apple’s OS X operating system supports emoji as of version 10.7 Microsoft added monochrome Unicode emoji coverage to the Segoe UI Symbol system font in Windows 8 and added color emoji in Windows 8.1 via the Segoe UI Emoji font.
The exact appearance of Emoji is not prescribed but varies between fonts, in the same way that normal typefaces can display a letter differently. For example, Apple Color Emoji font is proprietary to Apple, and can only be used on Apple devices. Different computing companies have developed their own fonts to display emoji, some of which have been open-sourced to permit their reuse Both colour and monochrome emoji typefaces exist, as well as at least one animated design.
Weighing in at 4500 pounds it was fascinating to see the cupola fly through the air and into place on top of the barn-next step is to add the windows next week!
A cupola(pronounced “kyou’puh luh”) is a structure that sits atop a larger rooftop or dome and can range in size from very basic and small, to extremely large and ornate. The small can be a simple vented box you would see on a barn while the cupola on St.Peters Basilica in Rome is an example of the other extreme.
Large Cupolas may be accessible from a stairway on the inside giving a commanding vantage point from which to look out over the world. This kind of cupola is often called a belvedere or a “widow’s walk”. Often smaller cupolas are constructed without access from inside and windows are added which provide a natural light source for illuminating the spaces below. These types of cupolas are also known as “lanterns”.
The origins and history of the Cupola can be traced back to 8th century Islamic architecture. These first cupolas placed atop minarets, were large and sometimes ornate structures with one or more balconies from which the daily call to prayer would be announced. These early cupolas are very significant because they are believed to be the inspiration for the dome which led to massive achievements in architectural design. These bold new designs that emerged were used as symbols for proof of cultural superiority. During the renaissance, most major european cities and Islamic states were building a plethora of these magnificent buildings. The cupola had evolved to allow architecture to become a very artistic and creative status symbol and today, the cupola stands as a statement of a major achievement in architecture.
On the way back to Cleveland where we lived at the time from New York, where I had just been to my Dad’s retirement party, I sat down on the plane next to a very nice man and his wife. They also seemed to be traveling with a gentleman a row ahead of us. The two men were exchanging all kinds of funny lines back and forth which finally led me to ask if he was a comedian. He answered very shyly “I”m Big Bird”! I didn’t really know Sesame Street that well at the time-I only had Kate who was 6 months old. In the end, he invited my family with extra tickets to bring another family(our best friends) to come to Blossom Music Center-he was going there to conduct the Cleveland Orchestra for Father’s Day. He told me all about his role as Big Bird-he had been in every major parade,been to literally almost all countries, been on Hollywood Squares repeatedly,met millions of movie stars and yet could travel like he was as a “normal” person, as he called it. That friend who we invited to go to Blossom and see him sent me this article that recently came out. Thank you, Nancy! Here is a picture of Kate,Tom Johnson and me with Big Bird in June 1984:
from the Los Angeles Times-May 6,2015 by Patrick Kevin Day
“There aren’t many octogenarian entertainers who have managed to stay relevant in the ever-changing cultural zeitgeist, but then there haven’t been many people who have played Big Bird. Caroll Spinney helped create the big yellow bird for PBS’ “Sesame Street” in 1969, and he’s been playing the character ever since-for 45 years.
And if that isn’t impressive enough, he’s also played Oscar the Grouch for the same number of years. Although Big Bird is an international star, Spinney, 81, has mostly remained hidden behind the feathers. But an Oscar season parody of the film “Birdman” titled “Big Birdman Or (The Unexpected Virtue of Orange Pants),” which went viral, and the new documentary “I Am Big Bird: The Caroll Spinney Story” (opening May 15) are finally giving the veteran puppeteer his due. And as “Sesame Street” heads into its 46th season, he has no plans to retire.”
Q-“Watching “I Am Big Bird” is a very emotional experience for someone who is just a fan. How was it for you to watch?”
A-“It was something else, because I don’t like to make it a big deal that I’m on TV. I just have a wonderful job. I’m used to seeing characters I play on movies and things but not to see myself. [My wife] Debra and I didn’t realize it was going to be a romantic movie about our love affair. Well, it’s not an affair — we’ve been together for 42 years come June. It’s a joyous 42 years, let me tell you, the way we get along. If everyone in the world got along the way we get along, divorce would be almost unknown.”
Q-“The film makes extensive use of your home movies. Are you constantly shooting them?”
A-“That’s probably only 1% of everything we have. It took them 4 and a half years to go through everything to put [the documentary] together. We gave them boxes and boxes of stuff. We had 8mm films and even some 16mm. I used to be an animator, and they used some of that here and there in the show. They came in three separate cars to our house, and their back seats and trunks were completely filled with boxes of films and videotapes and photographs. They put it all on DVD for us, which is great, even though I keep a VHS player in the house so we can put in a videotape now and then.”
A-“Yes, definitely. It was the second time I was in the White House performing for a bunch of U.N. children from different countries in the costumes of their land. I’m trying to walk out of the scene — we were performing in the East Wing — and I stepped on one child’s lap. I heard this sound, and I thought it was a squeaky toy it was so small. I didn’t hurt the child, thankfully. I can’t see down, and there’s no way to see out. The only connection to the outer world is through the little, tiny TV set I’m wearing on my chest.”
A-“It was a joke I told when we first worked together three years before we went to China. In 1976, I was invited to be on “The Bob Hope Special.” They wanted Kermit the Frog, but Jim [Henson] was too busy, so he said, “You can have the bird.” One of the writers said they could make some jokes for the bird, but when I got there, they were all Col. Sanders fried chicken jokes. I thought he could do better.”
So I was in the bird [suit] when he walked onto the stage in front of 300 people. It was the warmup period before they start the tape. Big Bird looks at him — he was known for his swoopy nose — and says, [Big Bird voice] “Boy, I thought I had a funny-looking beak.” Here he is, one of the greatest comedians in the world and he laughed so hard he almost hit the floor. He laughed so hard, he had to put his hand down to catch himself. That was satisfying. It won him over, and it got me all the way to China.”
Q-“Big Bird and Oscar the Grouch are two of the most popular “Sesame Street” characters, but since you do both, are they never able to meet?”
A-“I was asked to be on “The Colbert Report” last year as Big Bird and Oscar. But when we got there, we discovered they wanted both characters on at the same time. Stephen Colbert didn’t know one man plays them both. We called Joey Mazzarino, our head writer, who’s a very good puppeteer as well. He agreed to zip over and do Oscar. I pre-recorded Oscar’s words, so it sounded right.”
Q-“You’ve gotten to meet and work with so many people through Big Bird. Your wife, Debra, says in the documentary that you still haven’t met Paul McCartney. Has that changed?”
A-“Not yet, but I’m determined. One time, we heard when he was a guest on some show, he said he would love to do a children’s show that had rock ‘n’ roll in it. I said, “I want to be with him on that special.” I told our cameraman, Dave Driscoll, who’s also a cameraman for him when he plays big arenas, to mention it to him. He comes back from tour and I say, “Did you see him? Did you tell him?”
He says, “Yeah, I said, ‘Paul, Big Bird wants to do something with you.'” Paul says, “Doesn’t he know I’m married?” That’s not what I’m talking about! I’m a happily married dude!”
This is where we are now with Woodstone. House is being wired,plumbing going in,heat and so on….porches to east and west going on,barn is really coming together and very cool…..new apple trees being planted…..cupola is in the background of the first photo-about to be put up on top of barn this weekend…..