We are moving in next week!! This is the fun time-seeing all of the lights we have picked out over the last year ,the fixtures,the wallpapers and paint colors,the knobs,the mantle details,the column(exterior) details,cabinetry and so on.The floors are all done now-first floor just needs two more coats next weekend and then good to go!
Landscaping going on-planting trees and shrubs,grass seed going in-trucks are everywhere!
Bluestone arrived yesterday for front porch, back and side patios.
Dave’s trailer now about to leave as he can work in the basement now-all wall boarded.
My husband had this sign made for the east side of the house. The five stars are for each of our children.
The screened porch has floor boards now-about to be painted in Ben Moore Platinum Gray.
The barn is basically finished!
Millwork is being partially stored in the kitchen. They are now putting in millwork on the first floor.
The cedar closet is finished and the banister and railings on the third floor.
Lots going on at the barn and at the house.The barn trim is getting painted Agate Gray by Pratt and Lambert (just like the house) and the doors Ben Moore Essex Green. Lights are all installed in the Barn,and my office is basically finished-we are moving there this week to wait out the move into the house in November. The interior windows looking into the rest of the barn are really cool!
In the house, the tiling and grout are done in all of the bathrooms. Trim is going up on the second floor and they are about to start the first floor. The painters are right behind them. My wonderful wallpaper guy begins in two weeks. The third floor game room is all finished and ready for action!
I went to the MFA in Boston a few weeks ago with a friend who is a docent. She knows the Museum inside and out and it was a really fun day. One of the exhibits we went to is this one-it is open in the Loring Gallery from October 3-May 26, 2014. I highly recommend it!
This is from the MFA website:
From pinking shears to pink ribbons, the color pink is associated with fashion and femininity; perhaps no other color has as much social significance and gender association. The fascinating exhibition “Think Pink” explores the history and changing meanings of the color as its popularity ebbed and flowed in fashion and visual culture from the 18th century to the present day. An interdisciplinary show drawing from across the MFA collections, “Think Pink” juxtaposes clothing, accessories, graphic illustrations, jewelry, and paintings to shed light on changes in style; the evolution of pink for girls, blue for boys; and advances in color technology. “Think Pink” includes a selection of dresses and accessories from the collection of the late Evelyn Lauder, who was instrumental in creating an awareness of breast cancer by choosing the color as a visual reference. The opening of “Think Pink” in October coincides with Breast Cancer Awareness Month, when the MFA will be illuminated in pink.
We went to visit friends here on the Cape who had renovated their house-gutted it completely. It was originally 3 small cottages from the mid 1800’s that had been made into one home years ago but as our friend said “you went up and down steps” to get to parts of each house. They created more of a logical house in the space-and it is incredible. From the beautiful views to the little details-they had a lot of fun with this project.
I loved the lighting fixtures-they were all made by Eloise Pickard of Sandy Springs Gallery. I also loved the way the owners turned the couches in the living room to look out at the views instead of the more traditional facing a fireplace or facing each other. After all, the views are incredible as they are right near the water.
The pop of aqua in the mudroom,the barstools with both San Francisco and Boston teams to celebrate the owners’ home town teams, the “Lilly” guest room with dresses she had framed from her girls when they were small, the really fun laundry room floor…all of it adds up to a home well-loved and very much showing the creativity and cleverness of the owners.
I always find it interesting that the colors that are IT for the season in fashion are also the same in decorating.You look at all the clothing stores and they are the same colors you see at the Boston Design Center on the furniture and window treatments with the fabrics. I googled Spring Fashion 2013 and this came up:
These pictures were in an article about decorating trends to demonstrate the colors:
This room was in a magazine-clearly the decorator knew the IN palette!
In thinking of spring, I always think of going to Virginia-the prettiest place in the world when it is spring.This article caught my eye!
Jefferson’s historic house gets a bold coat of paint
BY MITCHELL OWEN
Hip and modern aren’t words necessarily associated with historic sites, let alone Monticello. The country house of Thomas Jefferson, America’s third president and likely its most intelligent—as John F. Kennedy once told a group of dignitaries visiting the White House, theirs was the greatest gathering of minds since Jefferson dined alone—has long been an icon in the national imagination. Its gently swelling dome and its columned portico even appear on the U.S. nickel. But this summer, visitors arriving at the mountaintop house Jefferson designed for himself in 1769 near Charlottesville, Virginia, are in for a shock: The beloved Wedgwood-blue dining room has been painted a rich, raucous shade known as chrome-yellow. The past is now so bright you gotta wear shades.
“The blue dated from 1936,” says Susan R. Stein, Monticello’s energetic curator and overseer of the thought-provoking reinterpretation. “So we began to do paint studies and concluded this chrome-yellow shade was applied to the dining room around 1815, only six years after it was invented in France.” Like anything on the cutting edge of fashion, it was expensive. Back then, chrome-yellow, which Stein eloquently describes as “the color of an egg yolk from a chicken that dined on marigold petals,” cost $5 per pound to produce versus 15 cents per pound for basic white. Better yet, the color was a new product that would have appealed greatly to Jefferson, then in his early 70s but still impassioned about scientific advancements, even if his housekeeping left something to be desired. (A visitor complained that the seats in the dining room around the time it was painted yellow were “completely worn through and the hair [stuffing] sticking out in all directions.”)
Today that space, just off the main hall—restored and repainted thanks to a generous donation from Polo Ralph Lauren—is an invigorating tour de force, awash with sunlight streaming beneath the crisp pediments of its triple-hung windows. The mahogany shield-back side chairs Jefferson probably bought in New York City are thrown into high relief, looking rather like cut-paper silhouettes. His paintings and prints, which once blended modestly into the dull-blue walls, now pop into view, their black frames crisp against the bold yellow. The whole room seems buoyant, the yellow reflected in the gilded mirror and suffusing the Palladian-flavored white moldings with a golden glow day and night.
“It takes some getting used to, but Jefferson was an experimenter, a forward thinker,” observes interior designer Charlotte Moss, a native Virginian who is still rubbing her eyes in disbelief after a preview a few months ago. “The yellow is more representative of who he really was, an educated man of the world, than that pale blue.” Moss was invited to create an array of table settings for the dining room, and the results prove how truly modern and appealing the room remains.
A fresh coat of paint isn’t the only change at Monticello. A mahogany sideboard has been added to the dining room, in emulation of one Jefferson owned. The South Pavilion, a two-room brick garden house where the newlywed Jeffersons first lived, has been furnished to reflect those early days, with a mahogany canopy bed curtained in flowery chintz. A wine cellar dumbwaiter has been rendered operable for the first time in decades, the kitchen now features an eight-burner stove that was the latest word in culinary chic in Jefferson’s day, and a new permanent exhibition is devoted to the slaves, servants, and other individuals who kept Monticello humming. Jefferson’s bedroom is in Stein’s scholarly sights too, as well as a blue room that may originally have been painted black. History, a dead thing? Think again.
The Orchard House was the Alcott family’s home, with the family living there from 1858 to 1877. During this period the Alcott family included Bronson, his wife Abigail May, and their daughters Anna, Louisa, and May. Elizabeth, the model for Beth March, had died in March 1858 just weeks before the family moved in.
The Alcotts were vegetarians and harvested fruits and vegetables from the gardens and orchard on the property. Conversations about abolitionism, women’s suffrage and social reform were often held around the dining room table. The family performed theatricals using the dining room as their stage while guests watched from the adjoining parlor.
In 1868, Louisa May wrote her classic novel “Little Women” in her room on a special folding “shelf” desk built by her father. Set within the house, its characters are based on members of her family, with the plot loosely based on the family’s earlier years.
On the grounds, to the west of the house, is a structure designed and built by Bronson originally known as “The Hillside Chapel”, and later as “The Concord School of Philosophy”. Operating from 1879 to 1888 the school was one of the first, and one of the most successful, adult education centers in the country.
In 1877, Louisa May Alcott bought the Thoreau home on Main Street for her sister Anna. Orchard House was sold in 1884.